French Senator Claude Malhuret describes what’s happening in the United States in stark terms and explains the consequences of Frump’s traitorous behavior for Europe: youtu.be….

#MoscovianCandidate #RussiaIsATerroristState

Sad, but sensible for a country in their position: “Lithuania sends ‘strategic message’ as it leaves cluster munitions convention” by Saulius Jakučionis, Lithuanian Radio and Television (LRT), www.lrt.lt/en/….

Postcard featuring a drawing of four women of different ages and social classes dressed in different styles appropriate to their station, but all with purple, green, and white. The accompanying text reads, 'Votes for women.' and 'Unity is strength!' The postcard is filed under a sports postcards collection in the Newberry Library, presumably because the woman on the left is holding a tennis racket.

British “Votes for Women” postcard (stamped 1912) that centers on solidarity across social class and age. The purple, green, and white was the color scheme of the Women’s Social and Political Union.

Via The Newberry Library, Monroej_Sports_011485.

Conflating Business Acumen, Reality TV Stardom, Electoral Politics, and Governance

For a so-called businessman, His Magnificent Bigly Orangeness seems to know precious little about the relative predictability that businesses need in order to make informed decisions. For reality TV or the kind of show Jerry Springer had, however, constant chaos can increase viewership. Orangeman’s style of television was successful because many people enjoyed his schtick.

The move from television to politics was natural. As long as he didn’t have to know things or govern, he could apply the same loud-mouthed, made-for-TV nonsense to the United States as a whole. NBC having already marketed him for years, it was easy to get his fans to jump on this new bandwagon.

His politics of unrelenting chaos, finger-pointing, scapegoating, grievance rhetoric, and race-baiting has brought him to the White House twice. But achieving such success is not the same as getting the nation’s work done. His style of politics is no way to conduct international relations or basic governance at home.

I know that he likes to have all cameras on him, but the United States has a wealth of experienced and talented people who could do the necessary work and give him all the credit. I’m sure they could also help him produce “must watch” TV moments with himself at the center.

Unfortunately, no people with adequate knowledge and experience are in his administration. He has purposefully insulated himself from alternative viewpoints, while cowardly and venal Republican senators enable the practice. In this way, we get a common-law presidential spouse, First Gentleman Felonious Husk, in addition to the president’s legal spouse, First Lady Trump.

Conscription, Industrial Mobilization, and the Russo-Ukrainian War

Russia’s war against Ukraine has been marked by an effort to avoid universal (manhood) conscription. It is the regime’s war, so to speak (a “special military operation”), not a people’s war.

On the other side, Ukraine uses conscription because it is indeed a national or people’s war for them. It is a fight for their very survival. Russia is even treating each and every Ukrainian as a “legitimate” target. But even Ukraine has avoided calling up younger men. It seems they lack the political consensus to do so.

I thought about this again when Vance made his historically ignorant accusation in the White House that Ukraine’s military manpower situation was so bad that they had to force men into the army. It’s as if Vance had never heard of the draft in the United States. Or he doesn’t know that “conscription” means “draft” in modern U.S. military history. Regardless, conscription is what countries do when they believe the national stakes are extremely high. If Vance had read any histories of war over the past couple centuries, he would know this.

One notable exception to conscription in national or total wars: Britain tried to fight the First World War with only volunteers, and they succeeded up to a point. By 1916, however, they had to institute conscription as well (“Military Service”). Little wonder. That war in particular had a ravenous appetite for men.

I’ve been thinking about the issue of conscription for another reason. Western leaders have spent the first three years of the Russo-Ukrainian War trying to prevent average citizens from feeling any pain. They’ve avoided spending the money necessary to mobilize our defense industries sufficiently to support a Ukrainian victory and form a credible deterrent to Russia (and China).

This avoidance points to one or all of the following developments in democracies and authoritarian kleptocracies alike:

  1. The relationship between nation states and their peoples has changed substantially. Are people less patriotic? Maybe they are less willing to follow their leaders’s calls to war?
  2. Do nation states care more about consent than they used to? Or have they grown more timid? Perhaps they are acting on an everyday awareness of popular opinion gleaned from social media, for example.
  3. Are contemporary leaders more likely to follow popular opinion than lead it? Even Putin and Trump are hardly leading, unless one thinks gaslighting their nations and the world counts.

I have no answer here. It just feels like the post–Cold War era of increasingly volunteer armies and neoliberal economic policies is being challenged by the demands of Mars and his acolytes, even if few have come to accept the consequences of this shift.

Knock-Out Blow to the Russian Bear: Postcard from 1904–05

Man in a red Japanese outfit talking to the Russian Bear in green army trousers and brown army boots as he sits on the ground and holds his head. Stars over his head indicate the hits he took. There is ocean behind them and then the sun, indicating the far east. On the horizon, four warships have been blown into the sky.

“Your size and weight don’t count in my style of wrestling.”

This was the last in a series of six postcards that marked the Russo-Japanese War (1904–05).1 I chose it because its caption speaks to Russia’s current war against Ukraine. The Russian Bear’s smaller opponent says, “Your size and weight don’t count in my style of wrestling.” Unlike today, Japan, not Russia, began this war with a surprise attack. Still, observers assumed the Russian Bear would prevail. It did not, and the Tsar faced revolution at home. The bigger the beast, the harder the fall.

The war in Ukraine is different, but there, too, Russia is running up against the limits of its strength. It is facing economic collapse and worse. Rather strangely, the new-old U.S. president wants to throw his weight behind the corrupt old Russian Bear. Doing so will cost more Ukrainian lives and the United States its reputation and influence. But Ukraine will come up with new ways to stop Russia. Meanwhile, the political cartoonists will continue to do their thing, if not on postcards.


  1. Written in ink partly over the English caption are some words in French I can’t quite make out. Source: The Newberry Library, John I. Monroe collection of artist-signed postcards, https://collections.newberry.org/asset-management/2KXJ8ZS64D8UI↩︎

As our government ramps up its war on its own people, not to mention the free world, I am finding it really difficult to focus.😱

Not looking forward to higher fuel and food prices here in Northern New England just because Orange Turd doesn’t understand how regional markets work among friends and allies. #TrumpsEconomy #MoscovianCandidate

Two Suffragettes

  1. “Fay Hubbard, 13-year Old Suffragette” in New York on February 9, 1910.

    “Suffragette! Suffragette!” This is the cry of little Fay Hubbard as she goes through the crowd at the suffragette meetings in New York selling copies of the paper… Miss Hubbard is a niece of Mrs. E. Ida Williams, the recording secretary of the Suffragette…

  2. Mary Edwards Walker (1832–1919). Dr. Walker served as a surgeon in the U.S. Army during the Civil War. She was a Medal of Honor recipient, a suffragette, and a dress reformer.


Images via Library of Congress, PPOC, https://www.loc.gov/pictures/item/92510578/ and https://www.loc.gov/pictures/item/2005684835/.

Sometimes you got to Ukrainesplain shit to people.

– Roy Wood Jr., “Have I Got News for You,” season 2, episode 3, youtu.be….

Playing Putin’s lapdog isn’t a good look for Trump. His ass is too big for the terrorist. But he is just as uselessly loud as the most annoying small dog. Oh, what a fierce creature would the orange one be, if his master were to remove his leash. Yip! Yip! Yip! #MoscovianCandidate

“U.S. military removes words ‘history,’ ‘respect,’ ‘dignity’ from digital presence as part of DEI review” by Gabriella Alcorta-Solorio, Texas Public Radio, February 28, 2025, www.tpr.org…. #NotTheOnion #MoscovianCandidate #FuckTrump

Italian fascist propaganda poster depicting Churchill and Roosevelt, both holding pistols, over a city in ruins and dead children, with a pirate flag in the background. A caption at the bottom reads 'Su loro ricade la colpa!'(On them rests the blame!)

This Italian fascist poster prefigures the disgusting rhetoric of Putin and Trump: “On them rests the blame!” by Gino Boccasile, ca. 1942–45.

Via David M. Rubenstein Rare Book & Manuscript Library, Duke University, https://idn.duke.edu/ark:/87924/r4bp0064p.

Poster encouraging purchase of war stamps and bonds to support the war effort, showing faces of Hitler, Mussolini, and Hirohito.

“Stamp ‘em out! Buy U.S. stamps and bonds.” Poster by Thomas A. Byrne. WPA War Services of La., circa 1941–43.

Via Library of Congress, https://www.loc.gov/pictures/item/98518290/.

Watching videos of my granddaughter tear up the dance floor at a wedding reception. So much joy in that beautiful little human!

The Kyiv Independent’s Anna Belokur packs a lot into one of the best comments I’ve seen about the Trump-Vance debacle during Zelensky’s visit this past Friday (Feb. 28). See the first eight minutes of “Ukraine this Week,” youtu.be…. 🇺🇦🇺🇸

📽️ Watched “Il conformista” [The Conformist], dir. Bernardo Bertolucci (Italy, 1970). The first half stitches together vignettes to make the character who joined the secret police. Then we see him on a job in interwar France. The denouement comes after Mussolini’s dismissal is announced on the radio.

Gladys is a tired Black woman. She is sitting in a wooden chair, her side to the back, leaning on her arm on the back. The floor of the room is wooden. There appears to be natural light coming from a window just out of sight. A desk or dresser is in the corner with a lot of books on top between bookends.

“Gladys” by Will Barnet, 1936, for the Federal Art Project NYC WPA. Signed, dated, and stamped print from engraving.

Via the Schomburg Center for Research in Black Culture, Art and Artifacts Division, NYPL Digital Collections, image 5179795.

If we as U.S. citizens find the resolve to oppose Orange Oaf’s foreign policy, especially with regard to Ukraine and Russia, we will help not only Ukraine against tyrants but ourselves as well. This is a transnational, existential fight for freedom and human rights. 🇺🇦🗽

I see why Orange Oaf chose the VP that he did. The current VP is the worst. His assholery is unequaled.

🇺🇦 Friends of Ukraine might learn something from how the Second World War was portrayed in American movie theaters before the attack on Pearl Harbor. Britain and its friends did important publicity work to open Americans' eyes and to counter the poison of the fascist German American Bund.

Zelensky is 1,000 times more a man, leader, and patriot than Trump and Putin will ever be. #FuckTrump #ПутінІдиНахуй #ScrewOligarchy #СлаваУкраїні 🇺🇦✊🗽

📽️ “Conclave,” dir. Edward Berger (USA/UK, 2024), is one helluva good movie. Made differently, the same story could have yielded a drama, but here it is a thriller, driven by dialog, cinematography, and sound—with superb use of space, ceremony, and costumes.

📽️ “Cloak and Dagger,” dir. Fritz Lang (Warner Bros., 1946), is good as a thriller and as a war film. Unfortunately, it never develops its initial premise, the race to develop the atomic bomb.

Given that the U.S. was the only nuclear power in 1946, emphasizing the transferability of knowledge about weaponized applied nuclear physics would have been politically problematic anyway.

Fighting fascism, however, was a-okay. So were women serving as counterintelligence agents and partisans in this early Atomic Era film. Gary Cooper stars as an American physicist turned agent, who falls for a gun-toting Italian played by Lilli Palmer.