How Open is Open Access?

The following quote from an article about art education seems to have broader implications:

Early excitement for the Internet’s democratic potential has been replaced by a complicated marketplace of competing agendas of consumption, entertainment, social networking, and political action that continues to offer both opportunity and exclusion. Increased participation is coupled with a persistent digital divide, a gap in who has access to digital technologies and who does not, illustrating that “disparities in technology access and use are related to socioeconomic status, with income, educational level and race among the factors associated with technological attainment” (Mehra, Merkel, & Bishop, 2004, p. 782). Opportunities for participation have evolved through the advent of social media, mobile computing, and increased access to computing networks. These opportunities continue to be shrouded in inequitable distributions of access and expertise, functioning as a “new form of the hidden curriculum, shaping which youth will succeed and which will be left behind” (Jenkins, Purushotma, Clinton, Weigel, & Robison, 2006, p. 3).[1]

For me, such concerns about access to and literacy in visual culture raise a question in a different debate: open access. How open are so-called open-access publications? Besides the question of digital access, who possesses the requisite know-how to locate such academic works, not to mention read, understand, and critically engage with them? Open access might be desirable, but we should not fool ourselves into thinking that academically sound, openly available scholarship will automatically be freely accessible to nonacademic readers.

  1. Aaron D. Knochel, “Assembling Visuality: Social Media, Everyday Imaging, and Critical Thinking in Digital Visual Culture,” Visual Arts Research 39, no. 2 (2013): 13–27, here 15.  ↩

Information, Sociability, Reality Check

I’ve been off RSS readers for a while, in part because of Google’s exit from the game, but also because of information overload. Thinking about using it again and revisiting some old stomping grounds in the blogosphere, I found Dan Cohen’s relevant comments on Ann Blair’s Too Much to Know. Seems I am in good company with my occasional ignoring of information—ignoring that I prefer to think won’t lead to, might even prevent, ignorance.

I treat Twitter rather cavalierly too, as if it were a place to hang out, learn stuff, share things, and then leave—sometimes for longer spells. If I view all these information inputs in social terms, this is a perfectly rational way to engage with the Twittersphere. If I worried about missing some bit of news, some fascinating article or weird event, I would never get anything done and my mind would become a still murkier mess. Besides, meaningful ideas and conversations tend to have longer lifespans, and they make themselves felt in other contexts.

Dan’s piece, indeed his whole blog, reminds me of another thing. Much ostensibly older writing on the web has value, and sometimes we should take a moment to read bits of it instead of gulping down and spewing forth a remixed version of the latest clever insight or rant. (I’m talking about myself here, bigly, uh, big league.)

Dissertation on Internet Archive

Uploading one’s dissertation to the Internet Archive is certainly not for everybody, because publishers will not want to publish something that one can get elsewhere for free. Nonetheless, I took this big step after initially just making it available on GoogleDocs and Dropbox, where I had the freedom to delete the file. After careful consideration, I have concluded that any articles or book I write will be substantially new pieces of scholarship, not just recycled, even when I draw heavily on my empirical findings and analysis. Continue reading “Dissertation on Internet Archive”