Women's History
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Via Library of Congress, Yanker Poster Collection, https://www.loc.gov/pictures/item/2016648550/. ↩︎
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Susan Saxe has a sparse Wikipedia entry. She was Nancy Gertner’s first case, which the latter writes about in In Defense of Women: Memoirs of an Unrepentant Advocate Beacon Press, 2011), chap. 1 (sample with salient details). ↩︎
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Lucinda Franks, “Return of the Fugitive,” The New Yorker, June 5, 1994, https://archive.ph/5mJ5P. ↩︎
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“Fay Hubbard, 13-year Old Suffragette” in New York on February 9, 1910.
“Suffragette! Suffragette!” This is the cry of little Fay Hubbard as she goes through the crowd at the suffragette meetings in New York selling copies of the paper… Miss Hubbard is a niece of Mrs. E. Ida Williams, the recording secretary of the Suffragette…
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Mary Edwards Walker (1832–1919). Dr. Walker served as a surgeon in the U.S. Army during the Civil War. She was a Medal of Honor recipient, a suffragette, and a dress reformer.
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See a related poster for American men on this blog, one of them Black, captioned “Bonds and justice will smash the Nazis. Not bondage!" ↩︎
“Overlooked No More: Ethel Lina White, Master of Suspense Who Inspired Hitchcock” by Sarah Weinman, New York Times, April 17, 2025, archive.ph….
White was a powerhouse of the genre in the 1930s, publishing more than 100 short stories and 17 novels, three of which were adapted into films, most notably Hitchcock’s “The Lady Vanishes” (1938).…
📽️ After watching Roberto Rossellini’s 1945 “Rome Open City” (Roma città aperta) this weekend, I’ve started on his “Paisan” (1946). This is only the second time I’ve seen this remarkable collection of six stories about soldiers and civilians during the Allied liberation of Italy, and it feels raw.
Women's History, Union Work, Educational Ambitions, and More in a 1942 Photo
Creek County, Oklahoma, 1942. Photograph by Russell Lee for the U.S. Farm Security Administration.
Wife of Pomp Hall, Negro tenant farmer, writing on typewriter. Through union activities this family has developed a desire for higher education. This typewriter is to them a symbol of that education and as such is the most prized family possession.
Via NYPL Digital Collections, image id 58092147.
New York World-Telegram photograph by Fred Palumbo, 1964:
Miss April Lou, teacher at PS 1, Manhattan, with six Chinese children, recent arrivals from Hong Kong and Formosa [aka Taiwan], who are holding up placards giving his or her Chinese name (both in ideographs and in transliteration) and the [American English] name to be entered upon the official school records.
Library of Congress, New York World-Telegram & Sun Collection, www.loc.gov/pictures/item/94512334/.
CB Radio Cards and Sociability
One interesting artifact of 1970s and 1980s CB radio sociability is the QSL card, a printed or hand-drawn confirmation of having been in contact with someone else via radio. Apparently one could collect them or pass them along to someone else as a recommendation.
The cards from CB radio operators that I’ve examined among the Newberry Library’s digitized collection of African American QSL cards seem to have been exchanged in person, presumably somewhere on the road. They used radio lingo, like we do abbreviations for the internet and instant messaging. Often preprinted with applicable check boxes for such exchanges, there was also space for hastily scrawled messages, written the way one might speak over the air without regard to more formal written conventions. Sound familiar?
The Newberry’s collection of 52 cards from men and women CB, ham, and shortwave radio operators include a mailing address, always a P.O. Box.
The card I’m sharing here was given to the recipient in person, as you can see from the message on the back. The “73’s” and “88’s” referenced on the card stem from old Western Union telegram codes, in this case meaning something akin to “best regards” and “love and kisses,” with “44’s” referring to prompt replies. The author also used a handwritten ten-code on the back to indicate that there had been a clear signal the whole time: “you be 10-8 all the way.”
![Backside of a postcard with preprinted and handwritten text. They communicated on March 29, 1981, on channel 13, and she wants station unit 793 to send her a card: 'Nice [to] talk to you, today, time 10:56, in Waterloo Iowa. You [sound] so good, I am glad to talk to you. you be 10-8 all the way. I am so glad, thanks […?…] here my state today.](https://eu.uploads.micro.blog/166262/2025/b414ddd221.jpg)
Before running across these cards, I only ever experienced American CB radio culture through television and movies. I did see CBs in Europe when catching rides with truck drivers during my hitchhiking days. In any case, these cards add an entirely new dimension to radio sociability for me.
Given our contemporary reliance on big internet systems, maybe those people who still use these older forms of communication are doing the rest of us a real favor. Maintaining knowledge of such technology—and a market for it—could be a real lifesaver one day.
YWCA War Work Council poster, ca. 1917 (United States)
Library of Congress, www.loc.gov/pictures/item/2002707403
"Girl with Blue Hair" by Blanche Grambs. Lithograph signed by artist, ca. 1935–43.
Works Progress Administration (WPA) Art Collection, NYPL Digital Collections, image id 5181000.
“Mexican miner’s wife and child are visited by another miner’s wife (Hungarian) who is interested in starting a maternal health clinic there. Scotts Run, Bertha Hill, West Virginia” by Marion Post Walcott for the Farm Security Administration, 1938. NYPL Digital Collections, image id 58749987.
A 1943 Photo of Welders for Women's History Month
“Skilled women workers helped build SS George Washington Carver.” Photo by E. F. Joseph for the Office of War Information, Kaiser Shipyards, Richmond, California, ca. 1943.
With nearly 1,000 Negro women employed as burners, welders, scalers and in other capacities at the Kaiser Shipyards in Richmond, Calif., women war workers played an important part in the construction of the Liberty Ship, SS George Washington Carver, launched on May 7, 1943. Welders Alivia Scott, Hattie Carpenter and Flossie Burtos await an opportunity to weld their first piece of steel on the ship.
Repository: Schomburg Center for Research in Black Culture, NYPL Digital Collections, image id 1206635.
Poster from an Antiwar, Lesbian, Feminist Fugitive, ca. 1970
Poster with a message by Susan Saxe, depicted in the drawing.1 Based on the text, the poster is probably from around 1970, when its author, a Brandeis senior and antiwar activist, went on the lam after robbing a bank and a National Guard Armory. On the FBI’s most wanted list, she was captured in 1975 and did seven years in prison.2 Her roommate, Katherine Ann Power, surrendered in 1980.3
Joe Stieb has posted some good history recommendations to help counter Hegseth’s bizarre scrubbing of Department of Defense webpages of race, gender, sexuality, and other content verboten by Trump. https://archive.ph/zLEcs
Photo by Carol M. Highsmith, July 18, 2015:
Members of the Native American Women Warriors, a Pueblo, Colorado-based association of active and retired American Indians in U.S. military service, at a Colorado Springs Native American Inter Tribal Powwow and festival in that central Colorado city.
Credit: Gates Frontiers Fund Colorado Collection within the Carol M. Highsmith Archive, Library of Congress, Prints and Photographs Division. Further details, including names and ranks, at https://www.loc.gov/pictures/item/2015633463/.
Women and Children Working in New York City Tenement Homes, 1908
Photographs of women and their children doing piecework: Lewis Wickes Hine took these for the National Child Labor Committee in New York City in January and February 1908. See individual captions below.
[1] 122 Sullivan St. 2nd Floor rear. Leveroni family. Earn 4 cents a gross making violets. Can make 20 gross a day when children work all day. Father has work. Mrs. Leveroni; Tessie Leveroni, age 9; Stephen Leveroni, age 6; Margaret Leveroni, age 7; Josephine Cordono, age 10. These children work on Saturdays on afternoons after 3 o’clock, and evenings until 8 or 9.
[2] Mrs. Finkelstein, 127 Monroe St. Bessie (age 13), Sophie (age 7). Girls attend school. Making garters for Liberty Garter works, 413 Broadway. Mother, a widow, earns 75 cents a day by working all day until 12 at night. Bessie works until 10 P.M. Sophie until 9 P.M. They expected to work until 10 P.M. to finish the job, although they did not know when more work would come in. Witness Mrs. Hosford.
[3] Widow & boy rolling papers for cigarettes in a dirty N.Y. tenement.
[4] Late at night. Sewing tapes on gloves. The boy helps. Family of five sleep in room where the work is done.
These photos are part of the National Child Labor Committee Collection held by the Library of Congress.
A New Era for Women Workers, Minority Women and Lesbians. 1976 poster by a Seattle organization called Radical Women.
Via Library of Congress, Yanker Poster Collection, https://www.loc.gov/pictures/item/2016649885/.
British “Votes for Women” postcard (stamped 1912) that centers on solidarity across social class and age. The purple, green, and white was the color scheme of the Women’s Social and Political Union.
Via The Newberry Library, Monroej_Sports_011485.
Two Suffragettes
Images via Library of Congress, PPOC, https://www.loc.gov/pictures/item/92510578/ and https://www.loc.gov/pictures/item/2005684835/.
“Gladys” by Will Barnet, 1936, for the Federal Art Project NYC WPA. Signed, dated, and stamped print from engraving.
Via the Schomburg Center for Research in Black Culture, Art and Artifacts Division, NYPL Digital Collections, image 5179795.
Intersections: three photos of Ernestine Eckstein in a 1965 picket line outside the White House protesting Federal discrimination against gay people in civil and military service and their obtaining security clearances. Her sign reads, “DENIAL OF EQUALITY OF OPPORTUNITY IS IMMORAL.” Eckstein was a Black woman, whereas most of the other picketers appear to have been white men. Another lesbian activist, white, is visible in one photo: Barbara Gittings. The photographer was Gitting’s white partner, Kay Tobin.
Photos via the Barbara Gittings and Kay Tobin Lahusen Gay History Papers and Photographs Collection, NYPL Digital Collections, images 1605765, 1605764, and 1605766
World War Two Poster Marking the Dignity and Humanity of Black Women on the Home Front
The American Front for Victory – This poster from World War Two operates on two levels. First, it emphasizes the contribution of “The American Front” to the victory for which the nation was fighting. American front because this was about the home front, the people, many of them women, contributing to victory in industry, in agriculture, through service, and with their savings. Second, the name makes an important statement about the women it pictures working. They are Black. In large parts of the country, racist Americans cast the fitness of Black people as American citizens in doubt, to say nothing of questioning their very humanity.1 Here, by contrast, four Black women are depicted doing dignified work for the national cause.
Moving clockwise from the top, one woman, wearing some kind of civilian uniform, is holding a bucket marked “save” and is participating in either the sale or purchase of “Defense Bonds”; another is working a potato field with the words “strong bodies” underneath; there is a woman in a nurse’s uniform above the label “volunteer service”; and a woman can be seen working on an airplane, perhaps installing its propeller. This is a poster proclaiming the importance of the home front and the dignity and honor of the Black women fighting on it.
Source: Schomburg Center for Research in Black Culture, Art and Artifacts Division, NYPL, image id psnypl_scf_061.
Bonds and justice will smash the Nazis, not bondage!
World War Two poster – The word "bonds" can work three ways here: the bonds or chains pictured here as broken, the bonds that unite us, and U.S. war bonds. The second of these offers the most powerful contrast to "bondage."
Schomburg Center for Research in Black Culture, Art and Artifacts Division, NYPL, image id psnypl_scf_065.