Past & Present
- The relationship between nation states and their peoples has changed substantially. Are people less patriotic? Maybe they are less willing to follow their leaders’s calls to war?
- Do nation states care more about consent than they used to? Or have they grown more timid? Perhaps they are acting on an everyday awareness of popular opinion gleaned from social media, for example.
- Are contemporary leaders more likely to follow popular opinion than lead it? Even Putin and Trump are hardly leading, unless one thinks gaslighting their nations and the world counts.
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Written in ink partly over the English caption are some words in French I can’t quite make out. Source: The Newberry Library, John I. Monroe collection of artist-signed postcards, https://collections.newberry.org/asset-management/2KXJ8ZS64D8UI. ↩︎
'Nothing but the Truth' (Sony Pictures, 2008)
I recently watched “Nothing but the Truth” and found it to be engaging because of how rooted it is in its time, even as the issues it treats are much more broadly relevant. At its heart is the freedom of the press versus the federal government’s powers of coercion in ostensible national security matters. Womanhood and especially motherhood are also important to the story, with mainstream gender norms employed to help viewers relate to (or feel no sympathy for) the woman who the government attempts to coerce. The film is a work of fiction, but its author, Rod Lurie, draws on real events for its initial premise.
During the movie’s first ten or twenty minutes, I got nostalgic vibes because there is a news-making national newspaper in DC that hasn’t been corrupted by a billionaire, a newspaper whose print distribution still matters. There is an FBI that follows the law, and reporters who think that officials lying is newsworthy, even if short attention spans run counter to this belief. The DC location, regardless of where it was actually filmed, was also familiar because of the occasional overlap between work life and home life, even if the filmmakers restricted that overlap to the two main women characters, a journalist and an outed spy.
As the film went on, I was reminded of how out-of-control the federal government can get when pursuing an administration’s aims because the judiciary typically defers to the executive branch on national security matters. The movie shows the U.S. government trying to coerce a reporter to give up her source: it jails her for contempt during a grand jury investigation. Her loss of liberty lasts for nearly a year before there is even a court decision on the specific issues involved. Images of the reporter being transported in leg chains still resonate today. The CIA adds an additional low by threatening its own outed agent, reminding her about her upcoming custody hearing.
Since the journalist and the outed spy are both moms, the film connects the two on a personal level by situating their daughters in the same school. The women both volunteer in the school, but don’t know each other personally in the beginning, although the journalist knows the other woman’s child because of her particular volunteer duties. (If any fathers volunteer, it doesn’t come up.) Why is motherhood relevant to the plot? The jailed and then imprisoned journalist pays a high personal cost, being unable to see her young son and probably losing her husband. At the same time, this personal cost can be interpreted by some viewers as her putting a principle ahead of her duty as a mother.
At the very end of the movie, we see that the journalist’s initial unintentional source (before she began her actual reporting) had been her son’s classmate, the daughter of the outed CIA agent. This makes her principled stand for freedom of the press also about protecting a child. Perhaps, for some people, this lets her off the hook for leaving her own son without a mother for so long. Unfortunately, it also almost overshadows the constitutional issues behind her refusal to be coerced by the U.S. government. Or is that the point? Is this another example of the personal manifesting as political?
📺 A 25-minute report by DW on the old Zaporozhets automobile, which still enjoys fans today: “Putin loved this car. Now it drives Ukraine’s resistance,” youtu.be…. 🇺🇦
Congress was once the proud equal of the executive and judicial branches of our government. Now it stands drained of both power and respect, partly through abdication of its responsibilities and partly through the eager gathering of power by a burgeoning presidency. That phenomenon started with Franklin Roosevelt, and every President since has been unable to resist taking more decision-making responsibility on himself. The power to make war and to decide how our money is spent is no longer the unquestioned province of Congress …
– “Fresh Blood for a Sick Congress,” Life, November 17, 1972, p. 42.
Rule of Law
Dwight D. Eisenhower’s address from the White House on September 24, 1957, regarding his use of federal troops in Little Rock makes for interesting reading. Here’s a taste (www.eisenhowerlibrary.gov…):
The very basis of our individual rights and freedoms rests upon the certainty that the President and the Executive Branch of Government will support and insure the carrying out of the decisions of the Federal Courts, even, when necessary with all the means at the President’s command.
Unless the President did so, anarchy would result.
There would be no security for any except that which each one of us could provide for himself.
Joe Stieb has posted some good history recommendations to help counter Hegseth’s bizarre scrubbing of Department of Defense webpages of race, gender, sexuality, and other content verboten by Trump. https://archive.ph/zLEcs
Conscription, Industrial Mobilization, and the Russo-Ukrainian War
Russia’s war against Ukraine has been marked by an effort to avoid universal (manhood) conscription. It is the regime’s war, so to speak (a “special military operation”), not a people’s war.
On the other side, Ukraine uses conscription because it is indeed a national or people’s war for them. It is a fight for their very survival. Russia is even treating each and every Ukrainian as a “legitimate” target. But even Ukraine has avoided calling up younger men. It seems they lack the political consensus to do so.
I thought about this again when Vance made his historically ignorant accusation in the White House that Ukraine’s military manpower situation was so bad that they had to force men into the army. It’s as if Vance had never heard of the draft in the United States. Or he doesn’t know that “conscription” means “draft” in modern U.S. military history. Regardless, conscription is what countries do when they believe the national stakes are extremely high. If Vance had read any histories of war over the past couple centuries, he would know this.
One notable exception to conscription in national or total wars: Britain tried to fight the First World War with only volunteers, and they succeeded up to a point. By 1916, however, they had to institute conscription as well (“Military Service”). Little wonder. That war in particular had a ravenous appetite for men.
I’ve been thinking about the issue of conscription for another reason. Western leaders have spent the first three years of the Russo-Ukrainian War trying to prevent average citizens from feeling any pain. They’ve avoided spending the money necessary to mobilize our defense industries sufficiently to support a Ukrainian victory and form a credible deterrent to Russia (and China).
This avoidance points to one or all of the following developments in democracies and authoritarian kleptocracies alike:
I have no answer here. It just feels like the post–Cold War era of increasingly volunteer armies and neoliberal economic policies is being challenged by the demands of Mars and his acolytes, even if few have come to accept the consequences of this shift.
Knock-Out Blow to the Russian Bear: Postcard from 1904–05
“Your size and weight don’t count in my style of wrestling.”
This was the last in a series of six postcards that marked the Russo-Japanese War (1904–05).1 I chose it because its caption speaks to Russia’s current war against Ukraine. The Russian Bear’s smaller opponent says, “Your size and weight don’t count in my style of wrestling.” Unlike today, Japan, not Russia, began this war with a surprise attack. Still, observers assumed the Russian Bear would prevail. It did not, and the Tsar faced revolution at home. The bigger the beast, the harder the fall.
The war in Ukraine is different, but there, too, Russia is running up against the limits of its strength. It is facing economic collapse and worse. Rather strangely, the new-old U.S. president wants to throw his weight behind the corrupt old Russian Bear. Doing so will cost more Ukrainian lives and the United States its reputation and influence. But Ukraine will come up with new ways to stop Russia. Meanwhile, the political cartoonists will continue to do their thing, if not on postcards.
“U.S. military removes words ‘history,’ ‘respect,’ ‘dignity’ from digital presence as part of DEI review” by Gabriella Alcorta-Solorio, Texas Public Radio, February 28, 2025, www.tpr.org…. #NotTheOnion #MoscovianCandidate #FuckTrump
This Italian fascist poster prefigures the disgusting rhetoric of Putin and Trump: “On them rests the blame!” by Gino Boccasile, ca. 1942–45.
Via David M. Rubenstein Rare Book & Manuscript Library, Duke University, https://idn.duke.edu/ark:/87924/r4bp0064p.
📽️ A well reviewed historical drama is streaming on Paramount+ in the United States: “Suffragette,” dir. Sarah Gavron (UK, 2015). The struggle it dramatizes was about getting the vote in order to shape the laws and policies that affected women in uniquely cruel ways.
'The Iron Curtain' (1948 Spy Film)
📽️ Tonight I watched “The Iron Curtain,” dir. William A. Wellman (Twentieth Century–Fox, 1948). The film was based on Igor Gouzenko’s memoir of his time working as a military cypher expert in the Soviet embassy in Ottawa, “I Was Inside Stalin’s Spy Ring,” Hearst’s International–Cosmopolitan (February–May 1947).
Related News from 1948
The excerpt below from a news item in a trade journal uses the term “appeasement” to describe attempts to block the film’s release. And it recalls accusations “of war-mongering because of alleged anti-Nazi films” before the U.S. entry into World War Two. Disinformation campaigns by hostile governments are nothing new, it seems.
MPAA Pins Red Label on “Curtain” Protest
Reaffirming his continued resistance to any attempts to dictate what appears or does not appear on the screen, Eric A. Johnston, MPAA [Motion Picture Association of America] president, has rejected the protest of the National Council of American-Soviet Friendship against release of 20th-Fox’s forthcoming “The Iron Curtain.” At the same time Johnston questioned the motives of the National Council and coneluded that “the purpose of your organization is to create in this country an atmosphere of appeasement and acceptance of Russia’s policy of aggression and expansion."…
Johnston pointed out … that the issue of free speech in relation to the screen was challenged seven years ago before a Senate committee, when the producers were accused of war-mongering because of alleged anti-Nazi films. “Producers then insisted upon and maintained their constitutional right to make films on any subject, free from dictation,” Johnston reminded. “Their position was vindicated. They stand on that right today, and I back them up."…
Source: The Film Daily February 3, 1948, p. 5.
It’s hard to look at the coming constitutional crisis and not think of Prussia’s constitutional crisis of 1858–64. But instead of Bismarck, we’ve got Boris and Natasha role-playing leaders.