War & Society

    Apropos of Russia’s meat assaults, which throw their soldiers' lives callously away:

    In the town of Polyarnye Zori in Russia’s Murmansk region, members of the country’s ruling United Russia party marked International Women’s Day by giving flowers and meat grinders to the mothers of soldiers killed in the war against Ukraine.

    Story via Meduza: “United Russia party gifts meat grinders to dead soldiers’ mothers,” meduza.io/en….

    French Senator Claude Malhuret describes what’s happening in the United States in stark terms and explains the consequences of Frump’s traitorous behavior for Europe: youtu.be….

    #MoscovianCandidate #RussiaIsATerroristState

    Sad, but sensible for a country in their position: “Lithuania sends ‘strategic message’ as it leaves cluster munitions convention” by Saulius Jakučionis, Lithuanian Radio and Television (LRT), www.lrt.lt/en/….

    Conscription, Industrial Mobilization, and the Russo-Ukrainian War

    Russia’s war against Ukraine has been marked by an effort to avoid universal (manhood) conscription. It is the regime’s war, so to speak (a “special military operation”), not a people’s war.

    On the other side, Ukraine uses conscription because it is indeed a national or people’s war for them. It is a fight for their very survival. Russia is even treating each and every Ukrainian as a “legitimate” target. But even Ukraine has avoided calling up younger men. It seems they lack the political consensus to do so.

    I thought about this again when Vance made his historically ignorant accusation in the White House that Ukraine’s military manpower situation was so bad that they had to force men into the army. It’s as if Vance had never heard of the draft in the United States. Or he doesn’t know that “conscription” means “draft” in modern U.S. military history. Regardless, conscription is what countries do when they believe the national stakes are extremely high. If Vance had read any histories of war over the past couple centuries, he would know this.

    One notable exception to conscription in national or total wars: Britain tried to fight the First World War with only volunteers, and they succeeded up to a point. By 1916, however, they had to institute conscription as well (“Military Service”). Little wonder. That war in particular had a ravenous appetite for men.

    I’ve been thinking about the issue of conscription for another reason. Western leaders have spent the first three years of the Russo-Ukrainian War trying to prevent average citizens from feeling any pain. They’ve avoided spending the money necessary to mobilize our defense industries sufficiently to support a Ukrainian victory and form a credible deterrent to Russia (and China).

    This avoidance points to one or all of the following developments in democracies and authoritarian kleptocracies alike:

    1. The relationship between nation states and their peoples has changed substantially. Are people less patriotic? Maybe they are less willing to follow their leaders’s calls to war?
    2. Do nation states care more about consent than they used to? Or have they grown more timid? Perhaps they are acting on an everyday awareness of popular opinion gleaned from social media, for example.
    3. Are contemporary leaders more likely to follow popular opinion than lead it? Even Putin and Trump are hardly leading, unless one thinks gaslighting their nations and the world counts.

    I have no answer here. It just feels like the post–Cold War era of increasingly volunteer armies and neoliberal economic policies is being challenged by the demands of Mars and his acolytes, even if few have come to accept the consequences of this shift.

    Knock-Out Blow to the Russian Bear: Postcard from 1904–05

    Man in a red Japanese outfit talking to the Russian Bear in green army trousers and brown army boots as he sits on the ground and holds his head. Stars over his head indicate the hits he took. There is ocean behind them and then the sun, indicating the far east. On the horizon, four warships have been blown into the sky.

    “Your size and weight don’t count in my style of wrestling.”

    This was the last in a series of six postcards that marked the Russo-Japanese War (1904–05).1 I chose it because its caption speaks to Russia’s current war against Ukraine. The Russian Bear’s smaller opponent says, “Your size and weight don’t count in my style of wrestling.” Unlike today, Japan, not Russia, began this war with a surprise attack. Still, observers assumed the Russian Bear would prevail. It did not, and the Tsar faced revolution at home. The bigger the beast, the harder the fall.

    The war in Ukraine is different, but there, too, Russia is running up against the limits of its strength. It is facing economic collapse and worse. Rather strangely, the new-old U.S. president wants to throw his weight behind the corrupt old Russian Bear. Doing so will cost more Ukrainian lives and the United States its reputation and influence. But Ukraine will come up with new ways to stop Russia. Meanwhile, the political cartoonists will continue to do their thing, if not on postcards.


    1. Written in ink partly over the English caption are some words in French I can’t quite make out. Source: The Newberry Library, John I. Monroe collection of artist-signed postcards, https://collections.newberry.org/asset-management/2KXJ8ZS64D8UI↩︎

    Sometimes you got to Ukrainesplain shit to people.

    – Roy Wood Jr., “Have I Got News for You,” season 2, episode 3, youtu.be….

    Playing Putin’s lapdog isn’t a good look for Trump. His ass is too big for the terrorist. But he is just as uselessly loud as the most annoying small dog. Oh, what a fierce creature would the orange one be, if his master were to remove his leash. Yip! Yip! Yip! #MoscovianCandidate

    “U.S. military removes words ‘history,’ ‘respect,’ ‘dignity’ from digital presence as part of DEI review” by Gabriella Alcorta-Solorio, Texas Public Radio, February 28, 2025, www.tpr.org…. #NotTheOnion #MoscovianCandidate #FuckTrump

    Italian fascist propaganda poster depicting Churchill and Roosevelt, both holding pistols, over a city in ruins and dead children, with a pirate flag in the background. A caption at the bottom reads 'Su loro ricade la colpa!'(On them rests the blame!)

    This Italian fascist poster prefigures the disgusting rhetoric of Putin and Trump: “On them rests the blame!” by Gino Boccasile, ca. 1942–45.

    Via David M. Rubenstein Rare Book & Manuscript Library, Duke University, https://idn.duke.edu/ark:/87924/r4bp0064p.

    Poster encouraging purchase of war stamps and bonds to support the war effort, showing faces of Hitler, Mussolini, and Hirohito.

    “Stamp ‘em out! Buy U.S. stamps and bonds.” Poster by Thomas A. Byrne. WPA War Services of La., circa 1941–43.

    Via Library of Congress, https://www.loc.gov/pictures/item/98518290/.

    The Kyiv Independent’s Anna Belokur packs a lot into one of the best comments I’ve seen about the Trump-Vance debacle during Zelensky’s visit this past Friday (Feb. 28). See the first eight minutes of “Ukraine this Week,” youtu.be…. 🇺🇦🇺🇸

    If we as U.S. citizens find the resolve to oppose Orange Oaf’s foreign policy, especially with regard to Ukraine and Russia, we will help not only Ukraine against tyrants but ourselves as well. This is a transnational, existential fight for freedom and human rights. 🇺🇦🗽

    🇺🇦 Friends of Ukraine might learn something from how the Second World War was portrayed in American movie theaters before the attack on Pearl Harbor. Britain and its friends did important publicity work to open Americans' eyes and to counter the poison of the fascist German American Bund.

    Zelensky is 1,000 times more a man, leader, and patriot than Trump and Putin will ever be. #FuckTrump #ПутінІдиНахуй #ScrewOligarchy #СлаваУкраїні 🇺🇦✊🗽

    📽️ “Cloak and Dagger,” dir. Fritz Lang (Warner Bros., 1946), is good as a thriller and as a war film. Unfortunately, it never develops its initial premise, the race to develop the atomic bomb.

    Given that the U.S. was the only nuclear power in 1946, emphasizing the transferability of knowledge about weaponized applied nuclear physics would have been politically problematic anyway.

    Fighting fascism, however, was a-okay. So were women serving as counterintelligence agents and partisans in this early Atomic Era film. Gary Cooper stars as an American physicist turned agent, who falls for a gun-toting Italian played by Lilli Palmer.

    📽️ If you want to watch a thriller set in 1939 before Germany’s invasion of Poland, “Man Hunt,” dir. Fritz Lang (20th Century Fox, 1941), holds up. Only the ending was unsatisfactory, if appropriate to a time when embattled Britain needed Americans to understand what was going on.

    🇺🇦 Excellent development: “Ukraine Is Jamming Russian Glide Bombs All Along The Front Line, Erasing One Of Russia’s Main Battlefield Advantages” by David Axe, Forbes, February 26, 2025. www.forbes.com…. “It now takes up to 16 glide bombs to hit one target.”

    📽️ Watched “‘Pimpernel’ Smith,” dir. Leslie Howard (British National Films, 1941), which imagines The Scarlet Pimpernel set in Germany in 1939.

    Bumper sticker with Ukrainian blue and yellow with the words, in Ukrainian, that mean, 'Putin go fuck yourself.'

    A message to Putin from my car’s rear end. The same goes for his White House asset. #RussiaIsATerroristState #SupportUkraine #SupportHumanRights

    Do I dare check the election news from Germany? Lots of opportunities to chip away at support for Ukraine on the left and the right.😬🇺🇦 #RussiaIsATerroristState

    “Make Ukraine Guilty Again” – short cartoon by Freeonis, youtu.be…. Turn on closed captions for English subtitles.🇺🇦

    “First day of Russia’s invasion of Ukraine captured in images,” AP News, February 22, 2025, apnews.com….🇺🇦 #RussiaIsATerroristState

    'The Iron Curtain' (1948 Spy Film)

    📽️ Tonight I watched “The Iron Curtain,” dir. William A. Wellman (Twentieth Century–Fox, 1948). The film was based on Igor Gouzenko’s memoir of his time working as a military cypher expert in the Soviet embassy in Ottawa, “I Was Inside Stalin’s Spy Ring,” Hearst’s International–Cosmopolitan (February–May 1947).

    The excerpt below from a news item in a trade journal uses the term “appeasement” to describe attempts to block the film’s release. And it recalls accusations “of war-mongering because of alleged anti-Nazi films” before the U.S. entry into World War Two. Disinformation campaigns by hostile governments are nothing new, it seems.

    MPAA Pins Red Label on “Curtain” Protest

    Reaffirming his continued resistance to any attempts to dictate what appears or does not appear on the screen, Eric A. Johnston, MPAA [Motion Picture Association of America] president, has rejected the protest of the National Council of American-Soviet Friendship against release of 20th-Fox’s forthcoming “The Iron Curtain.” At the same time Johnston questioned the motives of the National Council and coneluded that “the purpose of your organization is to create in this country an atmosphere of appeasement and acceptance of Russia’s policy of aggression and expansion."…

    Johnston pointed out … that the issue of free speech in relation to the screen was challenged seven years ago before a Senate committee, when the producers were accused of war-mongering because of alleged anti-Nazi films. “Producers then insisted upon and maintained their constitutional right to make films on any subject, free from dictation,” Johnston reminded. “Their position was vindicated. They stand on that right today, and I back them up."…

    Source: The Film Daily February 3, 1948, p. 5.

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