Atrocities
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“Judgement” by John MacWhirter, signed print from an engraving, ca. 1935–43, for the Works Progress Administration. Via the Schomburg Center for Research in Black Culture, Art and Artifacts Division, NYPL Digital Collections, image 5179597. Click image to enlarge. ↩︎
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Biblical quotation from Micah 3. ↩︎
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Biblical quotation from Isaiah 10. ↩︎
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The Library of Congress has photos produced by the Farm Security Administration of flood refugees in 1937. Many of them are African American. ↩︎
'Women and Children First' by Theo Matejko, ca. 1939
Source: "'Bombs Over Us': Prophetic Drawings by a German Artist," Life, September 11, 1939, pp. 27--28, via "a book … recently published in Germany," presumably Das Theo Matejko-Buch: Zeichnungen als Aufzeichnungen aus zweieinhalb Jahrzehnten (Berlin: Kommodore-Verlag, 1938).
This drawing imagining an air war coming to Berlin was one of a series that Theo Matejko conceived before Germany and the Soviet Union invaded Poland. It seems to convey antiwar sentiment, but the artist supported the Nazi regime, and he regularly contributed to the propaganda magazine, Die Wehrmacht. Given this context, his drawing and the following public explanation might be understood as projection instead.
An idea which came to me years ago with unholy force and persistence was the image of an air attack over a big city in some future war. I saw in this dreadful vision the merciless heavens pouring destruction upon peaceful people.… I offer these pictures in the deep and sincere hope that these nightmare visions may never become a reality.
The drawing doesn’t capture anywhere near the reality, but it offers up two powerful national symbols, the Brandenburg Gate and German motherhood. The choice of the latter was an effective way to underline the indiscriminate nature of this kind of warfare while portraying the Germans as innocent victims.
Powerful 13-minute short about a man who spoke up (and one who didn’t) during an unexpected ID check to filter out ostensible enemies on a train stopped by armed Serbs in Štrpci, Bosnia, on February 27, 1993: “The Man Who Could Not Remain Silent” (Croatia, 2024), youtu.be…. 📽️
📽️ “The Murderers Are Among Us” (Die Mörder sind unter uns), dir. Wolfgang Staudte (DEFA, 1946), is streaming on Arte. Filmed in the rubble of early postwar Berlin, it represents an important attempt to come to terms with Germany’s immediate past and to see a way through the present.
Hildegard Knef and Wilhelm Borchert
Tata Kepler, a Ukrainian volunteer and activist, gave a powerful address to the European Parliament on International Women’s Day. She centered it on the stories of individual women and girls she’s worked with and can’t forget. youtu.be… (13 min.) 🇺🇦
This Italian fascist poster prefigures the disgusting rhetoric of Putin and Trump: “On them rests the blame!” by Gino Boccasile, ca. 1942–45.
Via David M. Rubenstein Rare Book & Manuscript Library, Duke University, https://idn.duke.edu/ark:/87924/r4bp0064p.
'Judgement' by John MacWhirter for the WPA, ca. 1935–43
In the powerful image above,1 a biblical passage on the pulpit reads:
They build up Zion with blood, and Jerusalem with iniquity. The heads thereof judge for reward, and the priests thereof teach for hire, and the prophets thereof divine for money: yet will they lean upon the Lord, and say, Is not the Lord in the midst of us? No evil can come upon us. Therefore shall Zion for your sake be plowed as a field2 … Woe unto them who decree unrighteous decrees … who turn aside the needy from justice, and rob the poor of my people of their rights.3
Below are church pews full of worshipers. Straight ahead are two church windows and above them a cross in front of a bigger window that is cracking. The walls of the church and a beam are coming down, helped along by falling bombs. Surrounding the cross that the bombs are falling toward are four quadrants that show challenges and injustices of the late 1930s and early 1940s. (If they match up with the Four Horsemen of the Apocalypse, I am unsure how.)
Clockwise from top-left: There is a factory producing something; out front stands a boy whose emaciated ribs and distended stomach are painfully visible. Next, there are buildings almost completely submerged by flood waters; flooded telephone poles are leaning precariously.4 After that is a Black man hanging by his neck from a tree; the seated onlookers are wearing civilian clothes, not Klan robes. Finally, there are sharecroppers bent over, working a field, presumably for less than their bare subsistence requires.
An Example of White Terror Depicted in WPA Art
“South” by Philip Reisman. “Executed for the Public Art Works Project, 1934."*
The South here is portrayed as a place of white terror: lynching, cross burning, Ku Klux Klan. Note, too, the figures on the left: men in chains working at gun point, modern-day slave labor powering industry. The prisoner whose face is visible is Black, the armed guard white. (Click to enlarge for detail.)
I’ve always avoided posting such images, but the history whitewashing of the current administration is making me think differently. This art, at least, is respectful. It depicts the humanity of the victims, unlike the grizzly souvenir postcards circulated by the terrorists.
* Source: NYPL Digital Collections, image 5179787.
A message to Putin from my car’s rear end. The same goes for his White House asset. #RussiaIsATerroristState #SupportUkraine #SupportHumanRights
Ethnic cleansing as daring do—if Orange Donald’s own country doesn’t move to try him and his collaborators in the end, other countries will.
In 1921, white Tulsans murdered hundreds of residents of Greenwood, burned their homes and churches, looted their belongings, and locked the survivors in internment camps. Until this day, the Justice Department has not spoken publicly about this race massacre or officially accounted for the horrific events that transpired in Tulsa. This report breaks that silence by rigorous examination and a full accounting of one of the darkest episodes of our nation’s past. This report lays bare new information and shows that the massacre was the result not of uncontrolled mob violence, but of a coordinated, military-style attack on Greenwood.
– Assistant Attorney General Kristen Clarke of the Justice Department’s Civil Rights Division, quoted in press release, “Justice Department Announces Results of Review and Evaluation of the Tulsa Race Massacre,” January 10, 2025.
Poster from the Spanish Civil War, ca. 1936–39. The main text reads, “We charge the rebels as assassins! Innocent children and women die. Free men, repudiate all those who support fascism in the rearguard.” The text, bottom right, with the arrow pointing at the mother and child reads, “Here are the victims.” Note, too, the black and red triangle of the Anarchists in the lower right-hand corner.
Source of image and main text translation: Special Collections & Archives, UC San Diego, https://library.ucsd.edu/dc/object/bb5188576r. This page also offers historical context and analysis.
“Russia is executing more and more Ukrainian prisoners of war” (December 21, 2024), www.bbc.com…
We sometimes describe aggressors as “brainwashed” by propaganda that dehumanizes their victims, so much so they are “hypnotized” into committing atrocities. But what if the “dehumanising” propaganda rather legitimizes cruelty, makes it ordinary, and the aggressor sees the victims' humanity all too clearly?
– Peter Pomerantsev, How to Win an Information War: The Propagandist Who Outwitted Hitler (PublicAffairs 2024), chap. 4.
I watched “Passage to Marseille,” dir. Michael Curtiz (Warner Bros., 1944), this evening.
I forgot about the shocking scene in which Humphrey Bogart’s character machine-guns the surviving crew of the German plane he’d just downed at sea. The audience in 1944 was meant to sympathize with this act. After all, that crew had just tried to bomb the small civilian freighter. I don’t know if such a scene would have worked in a Hollywood film much earlier, but it did in 1944. Was this fictional atrocity an indication of American popular culture’s brutalization in World War II?
Movie poster image source: “Warner Bros. Pressbook” (1944), Internet Archive.
🇵🇸🇮🇱 Here’s a gruesome report of the dire conditions in northern Gaza at +972 Magazine, “an independent, online, nonprofit” publication “run by a group of Palestinian and Israeli journalists.”
🇺🇦 “How Russian Forces Hunted People in The Bucha Massacre,” Radio Free Europe/Radio Liberty, YouTube, Nov 19, 2024 (29 min)—compelling reporting based on a thorough look at diverse sources.
This is the exclusive story of Oleksiy Pobihay, a Ukrainian territorial defense fighter whose body was discovered at the site of an abandoned Russian military headquarters in Bucha. With his hands bound and a bullet wound in his head, Pobihay was among hundreds murdered during the Bucha massacre. This atrocity, which unfolded during the Russian military occupation in April 2022, has become emblematic of the war and the brutal killings perpetrated by Russian forces.
Through phone intercepts, previously unpublished videos, documents, and witness statements, @RadioSvobodaUkraine has pieced together the chilling story of what happened in Bucha.
The principle that a commander has an obligation to punish war crimes by his subordinates is not a progressive development of the law promoted by the advocacy community. Instead, the duty to punish stands out as an ancient legal norm interwoven into the domestic law of the United States and which the United States has incorporated into international legal instruments.
Halya Coynash, “Russians Execute Wounded Ukrainian POW amid Mounting Evidence of Russia’s Policy and Incitement to Kill,” Human Rights in Ukraine, Nov. 11, 2024.
Russia is intent on eradicating the Ukrainian language and all aspects of Ukrainian identity, with young Ukrainians a particular target.
In the name of civilization, rebellious villages would be burned to the ground.
– Deborah Cohen, Last Call at the Hotel Imperial, chap. 3.
Written in connection with one of her protagonist’s reporting on the Syrian Rebellion in 1926.
Russia has been testing drones and training their pilots with attacks on Ukrainian civilians in Beryslav (Kherson Oblast). Good investigative reporting by DW Documentary. https://youtu.be/kuTo94TnMPo
With its massive air attack today, Russia offers still more convincing arguments for lifting restrictions on Ukraine’s use of Western-provided missiles. It’s high time we attended to Russia’s actions instead of its bluster.
“Scientists identify victim of 1921 Tulsa Race Massacre in mass grave” (Washington Post) archive.ph/DPC5e.