2024

    With his abysmal debate performance last night, the rotten orange shit accomplished the one thing that gives him and his acolytes the oxygen they need: Everyone’s talking about him again. We need that as much as we need bleach in our veins.

    Large map in background with a man and a woman in front of it.

    This TV map of the world as viewed from the North Pole looking down in all directions caught my eye. Screenshot (in color) from “The Man from U.N.C.L.E.”, season 2, episode 1 (1965).

    I haven't been walking enough lately, but today I managed to get out. Instant mental health boost.

    View throw woods of a small pond with hills behind it. The trees in the foreground are dark. The background is light. White clouds sit on the hills like another layer of mountains Another view of the pond, this one less obstructed by trees.
    Watery spot in woods, as seen from bridge close to sundown. A sign nearby talked about beavers, though I could see no evidence of a beaver house.

    Pudding Pond Conservation Area, Conway, New Hampshire

    Here’s another bit of decor that I added to the car last week.

    <img src=“https://cdn.uploads.micro.blog/166262/2024/img-0244.jpeg" width=“600” height=“310” alt=“Bumper sticker with Ukrainian flag colors and an overlay text telling Putin to go fuck himself: “Путін іди нахуй”">

    Revisiting Image of Two Back Sailors Browsing Books

    On August 27th, I posted a mid-to-late 1940s photo of two Black sailors browsing books in a library section marked “Negro Books." In response, a couple people on my socials expressed outrage or sadness over the segregation they thought they were seeing. That makes sense if one doesn’t consider the book titles I mentioned or the link to a related post here titled Reading about Black Librarians and Knowledge Formation.

    Thing is, though, books could be powerful wherever librarians made them available in their collections and discoverable by their readers. That’s why I see in the image two sailors browsing books in a thematic library display that highlighted a selection of books of probable interest to Black people. The photo’s provenance also suggests as much: the U.S. Navy Department’s Office of Public Relations produced it, and the Schomburg Center for Research in Black Culture preserved it. What’s more, there is the photo’s suggestive chronological proximity to the end of the war and to Harry S. Truman’s desegregation order for the U.S military in 1948. Yes, the photo was taken in a broader context of prejudice and segregation, even atrocity, but the story does not end there.

    We can’t allow our knowledge of historical and present-day racism to blind us to signs in the image of people with agency who worked toward a more just world. Someone in the navy’s PR office decided or was ordered to take and distribute such a photo, or have this done. One or more people in a navy library ordered and displayed the books that caught the photographer’s eye, perhaps owing to the cataloging innovations of Dorothy B. Porter. Moreover, someone shaped the command climate in which these things transpired.

    Whatever led to these particular sailors posing for this picture, the camera recorded two young black men doing something about their present and future. We see them serving their country. We see them acquiring knowledge about it that had emancipatory potential.

    Of course, nothing in this kind of framing can negate the history of racism in this country. What thinking about individual agency can do is open our eyes to the humanity and strength of the people who endured and made lives for themselves despite the oppression. The books on the shelves written by Black authors were also evidence of such spirit. And the unknown characters behind the making of this photograph? It is productive to think of them as individuals who made choices within a specific institutional, social, and cultural matrix. Human agency matters.

    I decorated the car today. 🏳️‍⚧️

    'Harris Walz' bumper sticker with letters in a variety of inclusive patterns, including the US flag, the Pride flag, and the Trans Pride flag.

    . . . It was their relationship with media, with televisions, radios, books, blogs, which helped them to re-imagine themselves over and over.

    Peter Pomerantsev, This is Not Propaganda (2019), part 6

    These days, I take a somewhat inconsistent view of polls. In general, I choose not to trust them. (Who answers pollsters' calls anymore?) But I say to myself that maybe the direction of change in such polls is of value.

    An old problem explained with a new metaphor: “Silicon Valley’s Very Online Ideologues are in Model Collapse” by Aaron Ross Powell.

    Black and white photo, summarized in accompanying caption

    "Two U.S. Navy sailors browsing library shelf labeled 'Negro Books'" – U.S. Navy Department, Office of Public Relations, ca. 1944-49.

    To scrutinize the titles in this image, download a high resolution scan from the NYPL Digital Collections.

    W. E. B. Dubois, The Souls of Black Folk (1903) is clearly visible. Also: Charles S. Johnson, Patterns of Negro Segregation (1943) and Louis Adamic, The Native's Return (1934).

    Repository: Schomburg Center for Research in Black Culture, The New York Public Library Digital Collections, https://digitalcollections.nypl.org/items/22e61340-6379-013b-2df1-0242ac110003.

    Follow-up remarks: Revisiting Image of Two Back Sailors Browsing Books (Sept. 7, 2024)

    Related post: Reading about Black Librarians and Knowledge Formation (June 19, 2024)

    Russia has been testing drones and training their pilots with attacks on Ukrainian civilians in Beryslav (Kherson Oblast). Good investigative reporting by DW Documentary. https://youtu.be/kuTo94TnMPo

    With its massive air attack today, Russia offers still more convincing arguments for lifting restrictions on Ukraine’s use of Western-provided missiles. It’s high time we attended to Russia’s actions instead of its bluster.

    I am happy to see all the Independence Day posts from Ukrainians on my socials today. 🇺🇦🌻 I am sad about the losses behind these posts. And I am angry about the little terrorist ringleader in the Kremlin and his supporters. Слава Україні!

    I can’t remember a campaign in which the biographies and values of the candidates have mattered as much as they do now. The Harris–Walz team has done a superb job of linking upbringings, public service, and foreign policy to the family and community values that most of us at least try to live by.

    It’s hard to imagine biographies better suited to the present moment than those of Kamala Harris and Tim Walz.

    Workplace Safety Posters, ca. 1936–40

    I am enjoying Depression-era workplace safety posters from the Works Progress Administration (WPA). They evoke a time when the power of government was effectively leveraged for good. If you live in the United States, there is a good chance you’ve encountered WPA building and infrastructure projects. One WPA program was the Federal Arts Project, which put artists to work. To get a feel for the diversity of programs this art supported, see the Library of Congress’s online collection.

    Unfortunately, the WPA also built and helped staff internment camps for Americans of Japanese descent after the Pearl Harbor attack in 1941. This part of the story underlines the negative potential of government power when racism shapes policy.

    Besides the four posters that follow this text, I include a photograph of an alley behind a row of houses with tiny back yards in Baltimore. If you look closely at this image from the Farm Security Administration, you can see a WPA poster attached to an open door in the bottom left-hand corner. It is captioned “Stop accidents before they stop you.” The building itself appears to be part of a factory of some kind because only a door and a single big wall with windows is visible, visually distinct from the opposite side of the alley, where all the little houses are.

    These posters remind me of the ongoing importance of government for writing, publicizing, and enforcing workplace safety regulations. They connect past concerns about workplace conditions to countless reports of workplace injuries and sickness in our own time. They also link to family stories past and present, whether handed down or forgotten, whether taught or ignored in schools, workplaces, and union gatherings.

    My grandmother’s father was killed in an avoidable industrial accident in 1917 when she was six years old. The lathe he operated in a Cleveland factory had no safety guard, and then his luck ran out. He left behind six children and their mother, the oldest of them able to work. The sudden loss of this man represented a trauma that no one talked about in my childhood, and I only learned the barebones details from my mother this past year.

    I often wonder if and how such trauma is passed down in other families, and why its causes are silenced or not. My mind goes there because I imagine that millions of Americans—from across the political spectrum—come from families with such experiences, even if these were not handed down from the past. And I wonder what, if anything, knowledge about these many pasts might do to change their attitudes today.

    This thought ties in with the employers and politicians who fight government regulations and workers' collective bargaining. They strive to steal workers' freedom and dignity, all in the name of their own freedom. Part of this effort benefits from or fosters processes of families and communities forgetting or diminishing the significance of the workplace struggles and traumas in their own pasts.

    Fortunately, good governance and organized labor seem to be making a comeback.

    WPA poster showing two hands holding a rod or pipe of some kind. The caption reads: 'Protect your hands! You work with them.' A man in work cloths and cap facing the viewer, behind him a big contraption of some kind with interconneted belts, wheels, and other steel parts. His admonishment: 'Be careful near machinery'
    WPA poster showing a stylized man pushing into a pneumatic jackhammer against a wall. Big industrial wheels connected by belts. Caption: 'Work with care.' Poster with a giant steel beam hanging from a hook and pully in the air. The caption: 'Failure here may mean death below.'
    The description to this black and white photograph is in the third paragraph of this blog post.
    1. "Protect your hands! You work with them," poster (silkscreen) by Robert Muchley for the Federal Art Project, WPA, Pennsylvania, 1936. Repository: Library of Congress PPOC, https://www.loc.gov/pictures/item/98518513/.
    2. "Be careful near machinery," poster (woodblock) by Robert Lachenmann for the Federal Art Project, WPA, Pennsylvania, ca. 1936–1940. Repository: Library of Congress PPOC, https://www.loc.gov/pictures/item/98518717/.
    3. "Work with care," poster (woodcut) by Robert Muchley for the Federal Art Project, WPA, Pennsylvania, 1936 or 1937. Repository: Library of Congress PPOC, https://www.loc.gov/pictures/item/92517365/.
    4. "Failure here may mean death below – safety first," poster (woodcut) by Allan Nase for the Federal Art Project, WPA, Pennsylvania, 1936 or 1937. Repository: Library of Congress PPOC, https://www.loc.gov/pictures/item/98518429/.
    5. "Backyards, Baltimore, Maryland," black and white photograph by Dick Sheldon for the Farm Security Administration, July 1938. Repository: The New York Public Library Digital Collections, https://digitalcollections.nypl.org/items/ba309cea-94b2-4288-e040-e00a18066c61

    I’m enjoying the DNC’s ceremonial roll call unmediated by television pundits. I did the same with a few speeches yesterday.

    Interesting DW documentary about Palestinian refugees from Gaza fortunate enough to gain entry to Egypt: “Fleeing war in Gaza - for a new life in Egypt?"

    Biden gave one helluva good speech last night.

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