Depression in two senses of the word, 1934, Haddon Heights, New Jersey, via Library of Congress.
I watched “Mr. Smith Goes to Washington” (1939) last night. Despite the many differences to today’s world and the oversimplification of the state political machine, the politics in the film strike me as relevant to our own time. Thing is, though, it would probably resonate with Americans regardless of ideological or party orientation. Anti-Trump people could take its anti-corruption and pro-democracy message to heart. Pro-Trump people could embrace how the Washington outsider triumphs, and credulous pro-Trumpers could go for the anti-corruption, pro-democracy stuff too. Finally, the rough-and-tumble quality of the political game would resonate across the political spectrum.
Via JSTOR Daily, which describes an 1840 pamphlet “[advocating] a four-pronged approach to public healthcare that sounds remarkably like our own.”
To stand in Mann’s study today, with editions of Goethe and Schiller on the shelves, is to feel pride in the country that took him in and shame for the country that drove him out—not two Americas but one. In this room, the erstwhile “Greatest Living Man of Letters” fell prey to the clammy fear of the hunted. Was the year 1933 about to repeat itself? Would he be detained, interrogated, even imprisoned? In 1952, Mann took a final walk through his house and made his exit. He died in Zurich, in 1955—no longer an émigré German but an American in exile.
— Alex Ross, “The Haunted California Idyll of German Writers in Exile,” The New Yorker, March 9, 2020 issue.
Poster from 1936/37: “WPA Federal Theatre Presents ‘It Can’t Happen Here’…”
Speaking of imagined walls, here’s one from 1916, courtesy of the Library of Congress.
The caption reads, “I’ve decided to accept God, but he has to become Italian.” The German here for “accept,” “gelten lassen,” could also be translated as “allow.” Source: Simpicissimus, May… Read more →