2017

    Monsters in the News

    If you have the stomach for more on relating to a filmmaker's work who you now know (but perhaps tried to forget) is a child molester, this piece from May 2016 by Matt Zoller Seitz is worth considering: "I Believe Dylan Farrow."

    Such is the kind of reading I sometimes find myself doing these days when I least expect it. I'll try to escape the everyday with a comedy, but then I'll dig around the web to learn more about its makers or players. If this effort lands me back in the ugly everyday, pieces like this one help me see how other people deal with such contradictions, which are about much more than art.

    Emperor Mussolini

    Satirical magazine cover depicting Mussolini as Caesar on a ship, his arm raised in a fascist salute, behind him are two uniformed fascists doing the same. The resemblance to US president DJT is uncanny.

    The caption reads, "I've decided to accept God, but he has to become Italian." The German here for "accept," "gelten lassen," could also be translated as "allow."

    Source: Simplicissimus, May 3, 1926, http://www.simplicissimus.info.

    Noooo!

    a mouth open, big scream

    I have had health insurance through my employer these past seven years, but I still depend on the Affordable Care Act. It has made the scope of coverage meaningful, especially by including so-called preexisting conditions. It has also relieved me of anxiety caused by not knowing if I would have health insurance from one year to the next. Yes, coverage has been growing more expensive, but at least there have been those statewide exchanges and—if need be—subsidies, which, I thought, would still make insurance possible.

    Enter bomb-throwing DJT.


    Image: Angela De Rosette, SP.M.0911, 2001, Library of Congress

    How Open is Open Access?

    The following quote from an article about art education seems to have broader implications:

    Early excitement for the Internet’s democratic potential has been replaced by a complicated marketplace of competing agendas of consumption, entertainment, social networking, and political action that continues to offer both opportunity and exclusion. Increased participation is coupled with a persistent digital divide, a gap in who has access to digital technologies and who does not, illustrating that ‘disparities in technology access and use are related to socioeconomic status, with income, educational level and race among the factors associated with technological attainment‘ (Mehra, Merkel, & Bishop, 2004, p. 782). Opportunities for participation have evolved through the advent of social media, mobile computing, and increased access to computing networks. These opportunities continue to be shrouded in inequitable distributions of access and expertise, functioning as a ‘new form of the hidden curriculum, shaping which youth will succeed and which will be left behind’ (Jenkins, Purushotma, Clinton, Weigel, & Robison, 2006, p. 3).1

    For me, such concerns about access to and literacy in visual culture raise a question in a different debate: open access. How open are so-called open-access publications? Besides the question of digital access, who possesses the requisite know-how to locate such academic works, not to mention read, understand, and critically engage with them? Open access might be desirable, but we should not fool ourselves into thinking that academically sound, openly available scholarship will automatically be freely accessible to nonacademic readers.


    1. Aaron D. Knochel, “Assembling Visuality: Social Media, Everyday Imaging, and Critical Thinking in Digital Visual Culture,” Visual Arts Research 39, no. 2 (2013): 13–27, here 15.  ↩

    YWCA Poster, ca. 1918

    Young woman in a blue uniform at a field switchboard; in the background are countless men at arms, and, even further back, fire. The text reads, 'Back our girls over there' and 'United War Work Campaign'.

    YWCA Poster, ca. 1918, Library of Congress.

    Writing

    Pastel: middle-aged black woman in a blue, short-sleeved housecoat is sitting at a table with a well worn text book and a clump of papers. Her eyes are pointed down toward these materials, and a pencil is in her right hand.
    "The Writing Lesson" (pastel) by Morris Schulman, sponsored by the WPA, ca. 1935–43, The New York Public Library.


    I blogged some thoughts on this compelling image recently at History of Knowledge.

    'Colonizability'

    The map looks at the regions in terms of how healthy they are for the 'European races', including 'unhealthy but exploitable areas.

    This 1899 map's legend makes sense within a late-nineteenth-century imperialist framework, and the brutality of its seemingly objectively portrayed vision is unmistakable. Take a look at a high resolution scan from The New York Public Library Digital Collections.

    North Korea

    Dear National Security Establishment,

    Please stop your collective freak-out about North Korea. The power of that country’s weapons lies mainly in our inability to tolerate any risk whatsoever.

    Information and Meaning

    False information gains strength from its roots in stories that make sense to a lot of people; mow down the latest false facts and more will soon sprout until we address those stories themselves—and the reasons people believe them.

    Paul, J. Croce, “What We Can Learn from Fake News,", History News Network, July 23, 2017.

    Angry America

    Jeet Heer’s provocative commentary in the New Republic is worth a read: “America Has Always Been Angry and Violent." The historical rhetoric he offers is startling. I definitely need to read more U.S. history.

    Cultural History and the History of Knowledge

    In a blog post earlier this month, “From Cultural History to the History of Knowledge”, Johan Östling and David Larsson Heidenblad examine the attraction and potential utility of the history of knowledge as an historiographical approach. Particularly helpful is their attempt to tease out its relationship to cultural history.

    'Near East Relief' Appeal, 1919

    'Hunger knows no armistice--Near East Relief', woman with two children on ground against a brick wall, stark emotional expression on their faces
    Poster from 1919. Repository: Library of Congress.

    'Dead, but the remains are still with us'

    Mars, the god of war, from late 1918. Repository: Library of Congress.

    Child Labor in the United States

    Blogged on History of Knowledge in honor of May Day: “Sources: Child Labor in the United States”

    Blogging

    …The iterative practice of regular blogging has its own set of joys. For me, writing begets writing. The blog doesn’t distract from my formal academic or scholarly work. It feeds it. It becomes a form of discipline, like doing sit-ups every morning, a practice I long ago abandoned. My abdominal muscles are flabby, but when I sit down to write, whatever the context, I feel strong.

    – David Perry, “3 Rules of Academic Blogging," The Chronicle of Higher Education, November 11, 2015].

    Global History’s Blind Spot

    "Global history preferred a scale that reflected its cosmopolitan self-yearnings. It also implicitly created what the sociologist Arlie Russell Hochschild in Strangers in Their Own Land (2016) called ‘empathy walls’ between globe-trotting liberals and locally rooted provincials. Going global often meant losing contact with – to borrow another of her bons mots – ‘deep stories’ of resentment about loss of and threat to local attachments. The older patriotic narratives had tethered people to a sense of bounded unity. The new, cosmopolitan, global narratives crossed those boundaries. But they dissolved the heartlanders’ ties to a sense of place in the world. In a political climate dominated by railing against Leviathan government, big banks, mega-treaties with inscrutable acronyms such as TPP, and distant Eurocrats, the pretentious drive to replace deep stories of near-mourning with global stories of distant connection was bound to face its limits. In the scramble to make Others part of our stories, we inadvertently created a new swath of strangers at home....

    I did my own part in the global pivot. For several years, I oversaw Princeton’s internationalisation drive, creating global knowledge supply chains. It never occurred to me, or to others, to ask: what would happen to those less sexy, diminutive, scales of civic engagement? We didn’t worry much. They were the remits of provincialism, quietly escorted from the stage upon which we were supposed to be educating the new homo globus.

    Jeremy Adelman, "What is Global History Now?," Aeon, March 2, 2017

    A Refugee in New York, 1942

    A refugee boy in New York seated indoors, legs widely crossed, reading a big Superman comic book.

    Repository: Library of Congress

    Duck and Cover: 1951 Civil Defense Film for Kids

    Interesting to consider that this was a reality for school kids in the early days of the Cold War. By the 1970s, when I was in school and aware of such things, such an understanding of nuclear weapons would have seemed extremely naive.

    In the mid-1980s, in the field artillery, we were taught to drop to the ground, asses to the blast and hands between our legs. That was for tactical nuclear artillery rounds, but it felt just as silly.

    Source and further details: Prelinger Archives, hosted by the Internet Archive.

    A Hard Thing to Teach

    What was once seen as standing ‘outside’ history, demanding silent contemplation but resisting explanation or contextualisation, has now been firmly historicised. Comparative genocide studies, histories of colonialism and genocidal violence, studies of western penal practice and more besides have demonstrated that the processes which led to the Holocaust were integral to modern history, not an aberration from it.
    Neil Gregor, “‘To Think is to Compare’: Walther Rathenau, Trump and Hitler,” History Today, February 20, 2017.

    Military History

    Check out Mark Grimsley, “Why Military History Sucks Sucked,” Blogging Them out of the Stone Age, June 2, 2016 (originally 1996). This is an older critique, and I agree there has been much improvement. Still, negative examples abound, making this short piece as worthwhile as ever.

    Old Photographs

    Sampling of images, including kids doing homework, kids in school, women building an aircraft, a farming couple bookkeeping, a bookshop, and craftsmen/apprentices on a factory floor. Follow link to History of Knowledge blog for more details.

    I had fun putting together a variety of old photographs for the History of Knowledge blog. You can view them in a high-resolution slide show here: "Photographs: Organizing, Teaching, Storing, Learning, Practicing, Selling, and Using Knowledge."

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